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I've started up a collaborative story called Ten. You can find out more about it here: http://www.protagonize.com/story/ten
However, the short version is that there are ten characters and unbeknownst to each other they are offered something amazing and life changing if they play a game. They need to find the others, wherever they are in the world, and with only their names to go by. And when they find them?
They have to kill them.
Now, I want this to be a really good, well thought out piece of writing and more than that, I want this to be a story that actually gets finished. With that in mind, I'm holding auditions for each of the ten characters, more information about that is in the authors guidance for the story.
At the end of the story, we can go over it and edit it and polish it until we are happy that it's perfect and then I want to self-publish it or, if we are really lucky and want to go don that route, maybe even publish it through a proper publisher. Either way, when that happens I will personally buy all 9 contributors and myself copies of the book. It would be really cool if we could send them (once we've received them) to each other so we can all sign them for each other too.
So, audition away. You don't have to be the most amazing writer in the world, what is most important in this is that you are willing to stick it out to the end and that you really want to work as part of a team to create something awesome. Who knows, we might even make money from this too down the line (which would be split evenly of course).
More importantly I want to see lots of auditions. Auditions can be collaborative or not and even be carried on being developed after the main story starts, regardless of whether you make the cut or not. It'll be awesome to see other peoples ideas grow out of these seeds, so no audition is a waste, even if it doesn't win you a place in the group.
So read the authors guidance and start auditioning people! I know I can count on you!
-Froggie
Anyway, brilliant concept, and I'm sure whoever the nine people are that you pick will make this a great adventure to read.
To clarify, the auditions should (and in fact, have to be, since the story is currently solo) separate stories. After a certain period of time I have yet to decide upon or if I happen to get a whole load of auditions in then I'll make my choices or which authors to work with and we can start work on the actual collaborative story together. Hopefully group-locked stories will be enabled then, otherwise it might be worth either writing off-site or continuing each characters story as a separate solo until we can copy everything into a locked collaborative once those features become available.
Does that make things a bit clearer?
The main thing I mean by commitment though is staying power, a commitment to seeing this through to completion and not just giving up or disappearing without a trace. If you plan on joining in on this story I'd like you to be sure you can stick it out until the very end. Of course, some characters will die earlier than others but I'm sure there will be other, secondary characters and what not people can write for, plus the general plotting and discussion the whole group will take part in too. Either way, if you want to be part of it, you have to want to see it through to completion.
That's pretty much all I ask.
I can't believe I'm asking for help on the tryout chapter, but I just don't want to repeat something that's already been written.
Now, you could go with actually having his wife deliver the letter herself or phone him and tell him in person over the phone. You could have him wake ini in bed next to her, she tell him the terms of the story, and then him getting blackbagged and waking up with her gone except for some traces of hair, etc.
Perhaps something like that?
:} Elorithyrn
there we go! I'm all nervous now. Screw excited, I'm just nervous ha
By writing this post, I, Tom Rippon, promise to enter in some shape or form.
-Tom
What's the stance on secondary characters? I'm assuming we'll all need them at some point or another - is there a limit on how much of an impact they can have on the action, how many there are allowed to be, etc.? I'd like to use one, maybe two, in my introduction. Is that allowed, or would you rather I just used Elias for the intro?
the challenge will be to not rewrite the autobiography of Tendo Shoko and merely substitute the drug speed for heroin, and change her into a down-trodden pop star instead of a yakuza's daughter. i have my work cut out for me it seems...
but i like it.
ok this is my audition.
:)